Imagine the Foo Fighters and Muse stuffed in an underground studio during the "nuclear holocaust" with nothing but Weezer and Radiohead albums to session - yeah, I'd like to be fly on that wall too! Now you can, thanks to SixTwoSeven. Delivering the attitude of an Underdog and the punch of a Champion, SixTwoSeven's chunky guitar riffs, charismatic vocals, and emotional solos are the most beautiful ass whoopin' your ears ever took.
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Publicity Contact
DubSeven Records
illfunk@centurytel.net
It's not very often you get to drop two singles on the same day that you wrote for each of your two best friends. For me however, tody is one of those days. Check out the two new SixTwoSeven singles out on DubSeven Records, your home for #majorleaguerockandroll #seattlerock #alreadygone #deadonthetable
Alternative Nation wrote a really sweet piece on the new singles
SixTwoSeven, the ambitious, in your face rock outfit from Greg Bilderback have released two killer songs that you absolutely must stop to hear! “Heaven Knows” and “Running with the Big Kids” perfectly encapsulate the artistry and edge of the alternative rockers. Formed in 2016, “Heaven Knows” and “Running with the Big Kids” show the fantastic growth and further potential the band has conquered in a mere two years of life.
Helping the band further define their sound and cut their teeth is the extensive touring they’ve gotten under the belt. The wealth of experience and professional growth that comes with a run of successful tours no doubt seeped its way into these two tracks.
“Heaven Knows” launches into form with a glorious guitar riff reminiscent of big hair 80’s metal before attacking the listener with an onslaught of dark, scratchy vocals in the vein of Trent Reznor. With a full blown alternative rock sonic assault. The richness and maturity of the song far extends that of which you would expect from a band still somewhat in their infancy- but therein lies the genius behind SixSevenTwo. The song-writing of Greg Bilderback is slick, tight and all encompassing. The man knows how to compose a great song.
On “Running With the Big Kids”, the slithery guitar line jives about while the vocal melody is what owns you from the get-go. There’s a lot to hold onto and say, “AHAH!” with on “Running With the Big Kids” and each musical aspect is a winner- even the understated, driving drums which carry the song along all the way through to the finish.
Solid rock and alternative bands are no doubt underrepresented in our current musical climate. What elevates SixTwoSeven is their undeniable charm and polished song-writing. You can never go wrong with strong song-writing. Here though, the added bonus is that the songs are killer and harken back to a better time in rock music we all wish we could return to.
The US rock quartet SixTwoSeven released the AA side single Heaven Knows / Runnin’ with the Big Kids on the 25th.
Their signature sound of blurry riffs gives the heavy-rock foundations of the songs a garage rawness that allows SixTwoSeven to play around with texturing and timing in the compositions and creates a distinctive visibility to the music.
Do you ever get sick of life coming at you so fast all the time, that all you feel like you have time to do is just react to things? #heavenknows we do too. It sure would be nice to get a choice from time to time. These cuts are for all of you out there just doing your best to keep up with the big kids. The world can be a very inhospitable place, everybody needs a punk rock song for a pillow from time to time. Here is yours - DubSeven Records
It's been almost two years, 35 shows in 7 states, and we are finally doing it again. New Sixtwoseven music is dropping this Friday May 25th. We literally worked ourselves to death doing this, it's cost money, sleep, chances at love, this has been everything to us and Friday it finally happens. It will be on iTunes, Amazon, Apple Music, Spotify, Google Play, anywhere digital music is sold or streamed. Do your buddies a favor and show him some love and support this Friday and grab a copy. Sincerely, the DubSeven Records Family
Do you like to win FREE CONCERT TICKETS? Do you live near Hollywood, CA? Do you like SixTwoSeven and love live music? When is the last time you saw Agent Orange or a show at the Whisky A Go-Go? Well, today is your lucky day, click here, download the Thrillcall APP and enter to win free tickets to see us play with Agent Orange Friday January 19th Click Here
100 Bands in 100 Days by Varity Credit Union - Day #35 - SixTwoSeven
Ladies and gentlemen, and all local music enthusiasts, welcome back to the fourth annual outing of our year-end daily local music spotlight, 100 Bands in 100 Days, where every day until December 31st, we’ll be showcasing a new band or artist on the cutting edge of the Northwest, presented by Verity Credit Union. Make sure to check the #100Bands100Days hashtag at Twitter daily to stay on top of all the bands featured, and make sure to follow Verity on Twitter and NW_Music_Scene as well. Some days the featured act could be an established and locally-adored Northwest-based musician and other times they could be a band with a small following that just hasn’t had their deserved time in the sun yet. Either way, we’re fairly confident you can come away from this daily segment with plenty of new favorites. Today’s edition of this journey leads us off the beaten path — all the way to Gig Harbor, WA — to look at one of the often cloudy city’s best rock bands, SixTwoSeven.
Though originally founded by Greg Bilderback as recently as 2016, SixTwoSeven is a pure rock and roll outfit that shreds far beyond their years. SixTwoSeven’s approach to rock and roll is refreshingly, unapologetically blood-pumping, favoring loud, blown-out guitar riffs, hard grooves, and lead vocals that have a good grasp of melody and just enough rock gusto to empower their power poppy tracks. Their anthemic ass-kicking is influenced by and could be likened to other alt-rock greats that came before, most notably Foo Fighters, Queens of the Stone Age, and even a newer-age band like Royal Blood. It’s no wonder they’ve brought their invigorating live shows all over the map, from West Coast tours to opening for Agent Orange at Whisky a Go Go this summer.
SixTwoSeven’s debut EP, Some Other’s Day, was unleashed to the public in August of 2016, and had an impressive pedigree for a rock newcomer, being recorded and produced by legendary producer Jack Endino, who’s lent his punishing, unforgiving production know-how to bands big and small. The EP is home to a series of catchy, but emotional and raw alternative rock tracks that are bursting with impressive solos, epic highs, and surprisingly despondent lows. Despite being just a debut EP, Some Other’s Day is a good taster for what SixTwoSeven is capable of, and with a full-length debut LP being released in winter 2017 (but you didn’t hear that from us), we can only expect pretty great things to hit the northwest hard in the coming months.
Middle Tennessee Music Review of Some Other's Day
Seattle based alt-rockers SixTwoSeven pack a highly stimulating aural assault on their latest EP, Some Other’s Day.
Like a delicious PB&J sandwich using the crunchiest of peanut butter, SixTwoSeven deliver chunky guitars, finger lickin’ riffs, delicious melodies and enough energy to give you that much needed boost whether early morning, mid-afternoon or late at night.
Catchy hooks like the one in Top Of The World, lyrical depth like that of Joshua’s Song, excellent riffage like you hear in One Single Night, and the raw energy combined with the infectious melody of Wreckless Soul join forces for a strong, sonically powerful, cohesive EP which would be one hell of an experience experienced live.
SixTwoSeven bring excitement and refreshing passion to their flavor of alternative rock.
Screaming Guitars.com reviewed our EP
Quite poppy indy rock with an ear for a hook and some tasty hooks. Reminds me of Weezer mixed some lighter Foo Fighters. “Josuha” has some big chunky bass lines rolling and “Top of the World” rolls with a spirited abandon. Gotta be honest, I’m waiting for the band to just bust out. They show some signs of this on their best song, “Top of the World,” where they gargle out with some punk ferocity and some real charge to the riffs. “One Single Night” follows suit with some infectious zip, but songs like “Wreckless Soul” sound strangely restrained and anything but wreckless. Like they’re chained at the starting line and can’t quite fire off when the light turns green. Good stuff. Fun for a road trip, but I can’t help thinking there’s something more lurking under the surface. One to watch.
Indie Spoonful did 10 questions with our front man illfunk
Was there something (an experience) or someone in your life that was the "catalyst" for you to start writing music? Tell us about it.
I grew up with an older brother who played music and was literally my idol. Jason has always had such finesse with a guitar in his hands. I always wanted to be like that. But I was a drummer, so I didn't write a lot of songs on the guitar until years later after our band Five Hoss Cartwrights fell apart. I really took a big step back and away from music, at least performing it. I had a family, went to school, got a job. So I figured that was a good time to start plugging away at some riff ideas I had. I got a J Mascis signature Jazzmaster and started tracking some stuff where I played all the instruments. Big time Dinosaur Jr. influence in my guitar solos for sure. And then in 2015 when I went to see MUSE with my daughter, I couldn't be a spectator any longer after that. It just looked like too much fun. I was born to do that same thing. Matt Bellamy is literally a guitar god though, for real. But yeah after that, I seriously had to get a band going.
Let's get this out of the way. What is the CRAZIEST thing that has ever happened to you in your music career?
For real this isn't going to be like any other answer you've gotten. I don't know if this WAS the craziest, or if it just caused me to GO the craziest I've ever gone while doing this thing. Anyway, a couple summers ago now, we were in Los Angeles which was our turning around point for a little West Coast Tour. The first night was a Saturday night at the Mint, where we opened for Zoo Keeper's Palace at their CD Release party. Great show, great night, no issues. The problem was the second night we were playing this art gallery showcase Downtown, and we had these two huge motor-homes and a van full of gear to park in the middle of the afternoon on a Sunday. So I found a location we were probably not legally supposed to park, but it was large enough, and seemed like it wasn't too likely to bother anyone. We were a few blocks away from the venue so after checking in an argument ensues about whether or not to move the RV's to this rooftop thing the promoter had pointed out us. I lost the argument, and we moved the RV's, but the one I was driving ended up getting stuck on the ramp up to this lot, because it was too long for the ramp angle. It blocked off the entire exit to this thing, so none of the people who had just gotten out of church could get their cars out of this lot. It took like 4 hours to get a tow truck with the proper set of gear down there to move this RV, all of this BEFORE we took the stage. I was losing it. Not a good night. Lost the damage deposit on the RV's too from the bumper damage the tow truck cable caused when it was wrapped around the bumper dragging us back down the ramp. I went absolutely nuts, I hope no video ever surfaces of my epic meltdown in the street that day. I did get a couple of good sized chunks of Los Angeles asphalt as a souvenir.
What has been the high point of your music path?
Getting to take the stage just this last August at the Whisky A Go Go to open for Agent Orange was pretty damned awesome. I skateboard, I have for years, since I was a kid, so to share the stage with those guys, and my two brothers was really very special. So i'd say that, and of course being in the studio with a legend like Jack Endino. All that history and knowledge, it was like a bucket list thing. I have always loved recording music as well as writing and playing, so to spend time with him, watching and learning, having him ask me what I liked and disliked in a recording. It was all very surreal, and the best part was watching him jam air guitar to my solos. Pinch me, you know?
So, how do you approach songwriting or what is your creative process like?
Mike and I usually come to one another with a riff idea, and then between the two of us we hack out an arrangement. Matt, now that he's on the drums, spends a great deal of energy during that time also, when we are discussing when and where to change, how many times to do something. Of course as soon as I start blurting out my impromptu lyric and melody ideas Matt is not only starting to line out the drums, but he's immediately sampling harmony ideas even before he has any idea what I'm even saying, which at that point in the game is usually something pretty stupid. Inevitably a catchy hook or tag line will emerge, and that will be the back bone of what I go and do lyrically on my own after the fact. Then when we all reconvene, I'll have something more structured written down to share with everybody. Then when it comes to the bridge, that is a crap-shoot in terms of who will end up producing that. Mike and I go back and forth, lately we have been doing it together. They come together really quick though. They go from an idea to a new song in minutes, then we kind of chisel them out more clearly over time afterwards.
What do you see as the biggest challenge facing Indie Artists today? Or, if you could ask the music industry to change one thing, what would it be?
Well, it's very pay to play. So if you don't have a lot of your own capitol to burn, good luck getting things to happen quickly. I mean, you'll still overcome it if you're committed and seriously driven, but it takes longer, because you have less resources to shine a light on what your doing. I'd like to change that in the way that a guy like Rob Dyrdek changed access to skateboarding. Since he kind of set up the template for how to make these kinds of inner city construction projects a reality, parks are literally everywhere. Beautiful ones, in communities you'd almost never expect. So I want to do that for independent musicians, in a way. I want to show them the template for how you can take your art, and your resources, and your networking skills, and a little blood sweat and tears, and make a recipe for success that doesn't necessarily require the backing of a major label. There are a lot of heroes like that to choose from, but a majority of them are not playing rock music. I want to show the kids it can work there too. The days of artist development are gone, you are the manager, you are the agent, you are the label, but you also get to be the owner of your art, which has some advantages. You just need to figure out how to get over some of the branding and marketing hurdles that having a larger budget can help you blow passed.
If you could share the stage with one other artist or band, who would it be and why?
The Foo Fighters. I love the way Dave Grohl carries himself. I love the band, the music is always rock and roll, but yet always very beautiful and sophisticated. He's a drummer turned song writer, local ties to Seattle, the drummer for his band was my favorite drummer before he was even in the Foo Fighters. What more could you ask for? I also very badly want to play with MUSE. I feel like Matt Bellamy and I would be terrific mates. We read the same kind of books, I love his style. I think I would die a very happy man if either of those things managed to happen.
What are your rehearsals generally like? Or, how do you prepare for a live show?
Rehearsals are long. We don't live in the same area all of us. Jason lives in Austin, Texas, Matt lives in Bellingham, and Mike and I are practically neighbors. So when Matt and Jason are here, it's time to work. We play for like 6 or 8 hours a day for two or 3 days then we are a part again until the shows or tour dates when we get back together, knock off the rust the night before and hit the road the next day.
Pick one song that was your greatest challenge to write. Tell us about it!
Joshua's Song, but not necessarily because the song was a struggle to write physically, or musically, but because of the emotional journey that it represents. The song is about a child that passed away in my arms after a car accident, and my failed attempts to save him with CPR. Processing the personal guilt, remorse and disappointment after an experience like than can really derail a guy. So this song will always be very special to me. Without it I think I'm still stuck there blaming myself for not being better trained at CPR, or not having acted fast enough, or too fast, should I not have breathed and only tried chest compressions? So much going through your mind. Eventually through writing this song, I came to the conclusion that I did what was very best for him, basically I held him and told him not to be afraid. I suppose that was the reason for me being there, not to save him, you know? It's not so easy to accept that though.
Check out this dynamic, engaging video of SixTwoSeven:
What's coming up in the future?
Another studio record. An LP. We have been working with Jack Endino already doing some of the groundwork now. We hope to be ready for it to drop around New Year's. We will be touring the West Coast again, turning around in Hollywood at the Whisky A Go GoFriday January 19th with Agent Orange, most likely with that record available at our merch table.
Where can fans can access your music?
iTunes of course and Google Play.